Review: A Nazi Comparison, Waterloo East Theatre
Does A Nazi Comparison signal the future direction of theatre?
…
Review: Lazarus, Kings Cross Theatre
A gin genie pines to leave this plane of existence. We know the feeling.
…
Review: If We Got Some More Cocaine I Could Show You I Love You
A night on the tiles leads to something more…
…
Review: Ah, Wilderness! (Young Vic)
ArtBravi Rating Ah, Wilderness, currently showing at the Young Vic, is Eugene O’Neill’s most popular c…
Review: Rules for Living (National Theatre)
ArtBravi Rating What exactly are the rules for living? Are they to do with making a guy wait a decade …
Review: Fever Pitch, The Opera (Union Chapel)
Is it 1-0 to the Arsenal or another disappointing outing?
…
Review: The Importance Of Being Earnest (The Barbican)
When Gerard Barry chose to dress up one of Oscar Wilde’s most famous plays as an avant-garde opera, di…
Review: La Traviata (Royal Opera House)
La Traviata, the most performed opera in the world, has returned to Covent Garden in breathtaking styl…
Review: Jonathan Miller’s Mikado (ENO)
In an age when the internet frequently loses its collective shit over mooted film remakes or sequels t…
Review: Morgen und Abend (Royal Opera House)
Georg Friedrich Haas’s new opera, Morgen und Abend, is a relentless sensory assault over 90 wail…
Review: Carmina Burana (London Coliseum)
ArtBravi Rating When was the last time a ballet could be described as dark, sexy and controversial? The Coliseum is currently home to Bir…
Review: Tango Fire – Flames of Desire (Peacock Theatre)
ArtiBravi Those searching for proof of George Bernard Shaw’s view that “dancing is the vertical expres…
Review: Swan Lake (English National Ballet, London Coliseum)
ArtiBravi Rating When Swan Lake first hit London over a century ago, it appeared heavily abridged at w…
Review: Ballet Revolución (Peacock Theatre)
As Ballet Revolución at the Peacock Theatre amply demonstrates, celebrated danseur noble Carlos Acosta…