Does A Nazi Comparison signal the future direction of theatre?
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Theatre
Review: Lazarus, Kings Cross Theatre
A gin genie pines to leave this plane of existence. We know the feeling.
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Review: If We Got Some More Cocaine I Could Show You I Love You
A night on the tiles leads to something more…
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Review: Ah, Wilderness! (Young Vic)
Ah, Wilderness, currently showing at the Young Vic, is Eugene O’Neill’s most popular comedy. Admittedly, that’s not s…
Review: Rules for Living (National Theatre)
What exactly are the rules for living? Are they to do with making a guy wait a decade before texting him back? No dri…
Review: The Ruling Class (Trafalgar Studios)
Star-vehicle The Ruling Class roars into town this week with X-Men main man James McAvoy at the wheel. Peter Barnes’ …
Review: Macbeth (Omnibus)
“Out, damned spot! out, I say…What! will these hands ne’er be clean?” Lady Macbeth After some minutes spent traipsing…
Review: Electra (Old Vic)
An ancient drama revolving around grief, revenge and daddy issues is never going to be a barrel of laughs. The Old Vi…
Review: The Wolf From The Door (Royal Court Theatre)
Revolutionary days are here again as the Royal Court Theatre’s artistic director Vicky Featherstone launches a new se…
Review: The Play That Goes Wrong (Duchess Theatre)
The play-within-a-play motif is certainly nothing new but Mischief Theatre’s The Play That Goes Wrong feels a world a…