Revenge is a dish best served old seems to be the message in Age of Rage from Ivo van Hove‘s ext…
Review: Middle, National Theatre
It’s only a few minutes in when Maggie (Claire Rushbrook) looks at her husband Gary (Daniel Ryan) and drops an …
Review: Mulan Rouge, The Vaults
Anyway you look at it, the concept of The Vaults’ Mulan Rouge – a dinner/cabaret mashup of Disn…
Review: Jerusalem, Apollo Theatre
Jerusalem is back — but should we be still singing its praises? Heralded as the play of the century, Jez Butterworth&…
Review: Punchdrunk’s The Burnt City
“Much-anticipated” is a phrase that is often recklessly bandied about in theatreland. West End debut of a…
Review: Prima Facie, Harold Pinter Theatre
Her iconic turn as Killing Eve’s Villanelle has shot Jodie Comer into the stratosphere but her West End debut in Prim…
Review: Scandaltown, Lyric Hammersmith
Hot on the heels of Trumpian triumph The 47th and his controversial Cock, Mike Bartlett unveils a third play in the s…
Review: The 47th, Old Vic Theatre
As he did with Charles III, Mike Bartlett’s latest work The 47th imagines near-future power struggles,…
Review: String v SPITTA, Soho Theatre
String v SPITTA might sound like a court case but is, instead, something far more serious: a battle between two …
Review: The Great Gatsby (2022), Immersive | LDN
F. Scott Fitzgerald’s The Great Gatsby explores decadence, duplicity and desperation, and where better to do th…