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Franco Milazzo

ANaziComparison
Theatre
- October 24, 2017

Review: A Nazi Comparison, Waterloo East Theatre

Does A Nazi Comparison signal the future direction of theatre?

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Fever Pitch - the Opera (1) Photgrapher credit Claudia Marinaro
Opera, Uncategorized
- September 24, 2017

Review: Fever Pitch, The Opera (Union Chapel)

Is it 1-0 to the Arsenal or another disappointing outing?

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Ed-Harris-2-in-Buried-Child-Trafalgar-Studios-photo-Johan-Persson-549x357
Uncategorized
- December 20, 2016

Review: Buried Child, Trafalgar Studios

Harrowing, haunting and surprisingly humorous.

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lazarus
Music, Theatre
- November 8, 2016

Review: Lazarus, Kings Cross Theatre

A gin genie pines to leave this plane of existence. We know the feeling.

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Alan Mahon and Ammar Duffus in If We Got Some More Cocaine I Could Show You I Love You. Image: Claudia Marinaro
Theatre
- September 1, 2016

Review: If We Got Some More Cocaine I Could Show You I Love You

A night on the tiles leads to something more…

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The Importance of Being Earnest
29 March—3 April 2016 
Barbican Theatre
Gerald Barry’s operatic adaptation of Oscar Wilde’s classic play is a comic masterpiece.
Music
Gerald Barry
Libretto
Gerald Barry

Creative:
Tim Murray Conductor
Director Ramin Gray 
Set Design Ben Clark (after an idea by Johannes Schutz)
Composed by Costume designs Christina Cunningham
Lighting Design Franz Peter David
Movement Director Leon Baugh

Cast:
Simon Wilding as Lane/Merriman
Benedict Nelson as Algernon Moncreiff
Paul Curievici as John Worthing
Stephanie Marshall as The Hon. Gwendolen Fairfax
Alan Ewing as Lady Bracknell
Hilary Summers as Miss Prism
- as Cecily Cardew
- as The Rev. Canon Chasuble, D.D
Opera
- March 30, 2016

Review: The Importance Of Being Earnest (The Barbican)

When Gerard Barry chose to dress up one of Oscar Wilde’s most famous plays as an avant-garde opera, did he know what …

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Mary Bevan and Anthony Gregory in The Mikado. Image by Tristram Kenton
Opera
- November 25, 2015

Review: Jonathan Miller’s Mikado (ENO)

In an age when the internet frequently loses its collective shit over mooted film remakes or sequels to old favourite…

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Review: Mike Leigh's Pirates of Penzance (ENO, London Coliseum)
Opera
- May 11, 2015

Review: Mike Leigh’s Pirates of Penzance (ENO, London Coliseum)

The choice of Mike Leigh to direct the latest revival of Gilbert & Sullivan’s operetta The Pirates Of Penzance (c…

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Review: Ah, Wilderness! (Young Vic)
Theatre
- April 23, 2015

Review: Ah, Wilderness! (Young Vic)

Ah, Wilderness, currently showing at the Young Vic, is Eugene O’Neill’s most popular comedy. Admittedly, that’s not s…

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Review: Rules for Living (National Theatre)
Theatre
- March 25, 2015

Review: Rules for Living (National Theatre)

What exactly are the rules for living? Are they to do with making a guy wait a decade before texting him back? No dri…

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