Does A Nazi Comparison signal the future direction of theatre?
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Review: Fever Pitch, The Opera (Union Chapel)
Is it 1-0 to the Arsenal or another disappointing outing?
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Review: Buried Child, Trafalgar Studios
Harrowing, haunting and surprisingly humorous.
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Review: Lazarus, Kings Cross Theatre
A gin genie pines to leave this plane of existence. We know the feeling.
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Review: If We Got Some More Cocaine I Could Show You I Love You
A night on the tiles leads to something more…
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Review: The Importance Of Being Earnest (The Barbican)
When Gerard Barry chose to dress up one of Oscar Wilde’s most famous plays as an avant-garde opera, did he know what …
Review: Jonathan Miller’s Mikado (ENO)
In an age when the internet frequently loses its collective shit over mooted film remakes or sequels to old favourite…
Review: Mike Leigh’s Pirates of Penzance (ENO, London Coliseum)
The choice of Mike Leigh to direct the latest revival of Gilbert & Sullivan’s operetta The Pirates Of Penzance (c…
Review: Ah, Wilderness! (Young Vic)
Ah, Wilderness, currently showing at the Young Vic, is Eugene O’Neill’s most popular comedy. Admittedly, that’s not s…
Review: Rules for Living (National Theatre)
What exactly are the rules for living? Are they to do with making a guy wait a decade before texting him back? No dri…